Thursday, 12 October 2017

A grand day out



A grand day out at Sir Harold Hillier Gardens at the weekend was so inspiring. The sun was shining, it was surprisingly warm, perfect for a stroll through the gardens admiring the sculpture exhibition and beautiful collection of trees and plants. It is a place that we visit every year during autumn and this year did not disappoint.



Twist   sea glass and wood by Glenn Martin


I thought I would share just a few of what I thought were the highlights of the exhibition. First of all 'Twist' by Glenn Martin. I fell in love with this one for the form and choice of materials. I couldn't capture the lovely textures of the piece in a photograph but hope you can see just some of the effect of light on the semi opaque glass. I'm sure this sculpture would keep on giving with it's cast shadow at different times of day too. A different piece by the same artist 'Walking Ammonite' provided a lovely surprise sneaking and creeping through the foliage.


Twist   sea glass and wood by Glenn Martin
Walking Ammonite   recycled materials by Glenn Martin




















Canyon (4/10) mild steel and leaded glass by Joe Szabo
There were  a few sculptures by Joe Szabo that I would happily have in my garden too. Again the glass, leaded glass in this case, was shining like jewels in the sun. The curator of this exhibition had done a wonderful job placing the pieces near plants that complimented with their shape, colours and textures. The enjoyment they must of had working out what to put where shone through.



Red Kite   cold cast metals   by Paul Harvey
I loved the beautiful elegant curves of  Red Kite by Paul Harvey.  His sculptures beckon to be stroked like a sea worn pebble in the pocket - not that I did but I was tempted... His website is a feast for the eyes.  Gannets is a particular favourite.









Another favourite sculptor, Stan Jankowski had work was on display but I was unable to get a good image of the pieces he had there this year ( a mix of the strong light reflecting on the metal and the speed of movement). Instead I will show a photo that I took a couple of years ago of wind sculpture Piccolo Vento. You really need to see these wind sculptures in action, there are some links to videos on YouTube on his website which are well worth a few minutes of your time. I think this one would look lovely near the gingko tree in my garden...maybe one day.



Piccolo Vento   brass and copper   by Stan Jankowski


The sculpture exhibition ends on 15th October so we were cutting it fine this year. I am already looking forward to next years exhibition. The gardens continue to be open though and there is a gallery of continuous changing exhibitions in the building near the entrance. The gardens and tree collection are gorgeous to visit at any time of the year and if you look carefully you can see the intricate work of their permanent artists in residence.



Web by S. Pider

Thursday, 5 October 2017

Gliding gulls



Gliding to a new Day   acrylic on linen board 10x10cm   ©2017LisaLeQuelenec




Gliding to a new Day II   acrylic on linen board 10x10cm   ©2017LisaLeQuelenec




Gliding to a new Day III   acrylic on linen board 10x10cm   ©2017LisaLeQuelenec


Three little paintings on linen canvas boards. A combination of the gull ideas that are soaring around in my head and the shafts of light paintings from earlier this year. I still feel like I am feeling my way here unsure which direction to take..... I think I will explore and experiment with some printmaking next.

All three available individually at Seaside Studios UK on Etsy.

Thursday, 28 September 2017

My favourite art books


A while back artist Sherrie York posted about her book collection and it got me to thinking about my favourites, how they had changed over the years and about the ones that I keep referring back to like old friends. Back in 2011 I wrote this post about 10 of my favourite art books. Those are all still 'up there' but there have been quite a few additions especially as I have explored new techniques in printmaking.


Some favourite books  photograph ©2011 LisaLeQuelenec


I have put together a Pinterest board of favourite books  if anyone is interested in having a peek along my bookshelves virtually. Maybe you will find something that would interest you to check out at your local library next time you visit.

Would you like to share your favourite books in the comments? I would be interested in knowing what you recommend after all you can never have too many books ;o)


Wednesday, 20 September 2017

Pine cones - it started with some sketches....



Pine cone sketches   pencil ink and watercolour   ©2017Lisa Le Quelenec



...and quickly got out of hand... but in a good way. I love the structure of pine cones, such a challenge to get 'right'. There is a park I visit with my little one that guarantees we will come home with at least a few we are both as bad as each other with our little collections and we added quite a few more this summer.

Sketches and doodles turned into...



Pine cone stages   watercolour on A4 paper   ©2017Lisa Le Quelenec


There are two paintings available to buy here at Seaside Studios UK.


But then that turned into....



From sketch to drypoint plate to prints   ©2017Lisa LeQuelenec


and now I have these....


Trio   artist proof 1 drypoint print 19x10cm   ©2017LisaLeQuelenec


Trio   artist proof 2 drypoint print image size19x10cm   ©2017LisaLeQuelenec


Trio   3/20 drypoint print image size19x10cm   ©2017LisaLeQuelenec



Trio   drypoint prints image size 19x10cm   ©2017LisaLeQuelenec


Which are also available at Seaside Studios UK and at Seaside Studios Uk on Folksy.


I do get myself in a pickle sometimes :o)

Thursday, 14 September 2017

Three seaweed studies in watercolour



Three Seaweeds    each 30x21cm approx watercolour on paper   ©2017LisaLeQuelenec


The latest additions to my 'Little Treasures' series to add to the shells, feathers and other nature finds.

I love the colours, shapes and variety of seaweeds. These are painted from sketches that I did in Jersey and are seaweeds found in the rockpools there. Next time I must remember to collect some samples in jars for studying. I have collected them in the past and pressed them in sketchbook pages but they dry out and become brittle so quickly and it does make a change to paint from living samples. I really wanted to catch the sense of how they flow in the water in these studies.

These three seaweed studies are available at Seaside Studios UK on Etsy


Thursday, 7 September 2017

The coast is clear! Etching of Old Harry Rocks



The Coast is Clear!   A/P I etching 14.5x11.5cm   ©2017LisaLeQuelenec



Quite some years ago His Nibbs and I went for a walk along the beach at Shell Bay down the way in Studland. We have been many times before and since but there was something about this particular day that sticks out. The sun was out but it was a little hazy, it was neither hot nor cold and there was just a gentle breeze. The water looked glass-like - but with strong contrasts in tone on the surface ripples. Colour was bleached out everything reduced to tones of blue grey. What I remember the most was the stillness and quiet. The quiet sounded loud but gentle if you know what I mean.




Old Harry Rocks photograph ©2017LisaLeQuelenec



I took this photograph and along with the memory of that day it has been the inspiration for many drawings, paintings and now an etching. So far I have made two proof prints and have used paper masks to add some sail boat shapes. I think I could make variations of work on this one memory for many years to come.



Light Across the Bay   acrylic on paper 25x25cm   ©2011 LisaLeQuelenec



Above an older painting from 2011, long since sold but one of my favourites.




Old Harry Rocks  snippets and ideas in mixed media   ©2017LisaLeQuelenec



I wonder do you have a memory or lasting impression of a time and place that you revisit in your work again and again?



The Coast is Clear!   A/P II etching 14.5x11.5cm   ©2017LisaLeQuelenec

Thursday, 24 August 2017

Observational studies in watercolours - beach finds



Watercolour studies of beach treasures ©2017LisaLeQuelenec


Beach treasures collection IV  watercolour on paper 20x24cm approx   ©2017LisaLeQuelenec
No.4 has turned into a bit of a trial to photograph! Too much white and pale tones has made it difficult for the camera which just wants to emphasise the contrasts and not the subtleties. Hey ho...the picture above was taken at night using a desk lamp for light and is much closer to the painting.

I loved the marbling texture of the little piece of driftwood. It looks like a piece of old root that has been polished by the sea to a really smooth texture.




I seem to be finding lots of striped things at the moment; bits of pottery, striped pebbles and striped grain on driftwood.



Stripes from the shore sketchbook page ©2017LisaLeQuelenec

Friday, 11 August 2017

Beach treasure; Collections III



Beach collections III   watercolour on paper 20x24cm approx   ©2017LisaLeQuelenec


I had hoped to have no. IV ready as well but it is quite pale and hasn't been easy to scan so will need a bit more work. I have been rather enjoying these and the concentration on tiny details.

No.III is also available at RedBubble



Saturday, 29 July 2017

Beach treasure; Collections I & II


Beach collections II   watercolour on paper 20x24cm approx   ©2017LisaLeQuelenec


I was playing with some of my beach finds looking at the colours, textures and shapes. I thought rather than painting them in isolation as I usually do I would put them into an arrangement for a group portait. These are the first two -  there will be more. It's interesting to build a relationship in the colours, textures shapes and the linear rhythms. I enjoyed including the sea china, glass and pebbles which are given context with the shells and feathers, otherwise they just read as abstract shapes and colours.

As I write this I am thinking that this may be another avenue to explore on another day it would be interesting for me to return to abstraction after so long...... So many possibilities and so little time especially now that school is out and there is a little one to have adventures with. More trips to the beach! Yippeee!


Beach treasures collection I   watercolour on paper 20x24cm approx   ©2017LisaLeQuelenec


Both of these images are available as reproduction prints, stationery and greetings cards on Redbubble/lisalequelenec.

Thursday, 20 July 2017

July's moon and a big storm




July's Moon   acrylic on board 19x19cm   ©2017LisaLeQuelenec



Another moon inspired painting - trying to capture the beautiful hazy and subtle coloured rings that surrounded it. There is something very restful and calming about painting night scenes that I really enjoy.

This painting is available on Etsy at Seaside Studios UK.

Reproductions are also available in different formats both framed and unframed  here.



I previously wrote about July's moon being named a thunder moon by some people. We were certainly treated to a spectacular electrical storm that lasted many hours in the late afternoon and stretching into the night on Tuesday. The rain was very heavy as the sky lit up. I didn't venture out but watched for some time from inside. I imagine had I been on the cliff top I may have seen something akin to this as the torrential rain started to move in;



Sketchbook page  watercolour   ©2017LisaLeQuelenec




Wednesday, 12 July 2017

July's moon and Indigo



July's Full Moon   sketchbook page A6   ©2017LisaLeQuelenec
This month's full moon was a real treat! It was big, bright and beautiful. The last light of the setting sun combined with the inky cloud made for a lovely colour combination of palest aqua, indigo, cobalt and soft ochre and sienna. It was quite a display. Trying to sketch in the dark so that I could watch all the colours changing was quite a challenge and I really couldn't do it justice but it was fun to try anyway.

I have read that some Native American tribes call the full moon in July the Thunder Moon because of the hot and humid storms that can arrive at this time. In Europe it was sometimes called the Mead Moon, (a drink made from fermenting honey, yeast and water.) because it occurs at the same time as larger honey yields. I know parts of the country have had a good display of storms but whilst it has been hot here and we have had our share of rain to clear the air there has been no thunder or lightening so far - we do have many honey bees busy in the garden though.





After night sky watching I have been inspired to paint the velvety blues and a set of inky coloured watercolour shells have been the result. All six are available individually at Seaside Studios UK
 


Shell studies in blue and indigo   21x30cm approx each   ©2017Lisa Le Quelenec

Thursday, 29 June 2017

Four watercolour feathers



four watercolour feather paintings by lisa le quelenec guinea fowl jay pigeon feathers
Four feather studies   21x30cm each approx   ©2017LisaLeQuelenec


I am pondering the recent acrylic paintings and to help give myself a little distance from them have been painting some new watercolour feather studies. These four are available in my Etsy store Seaside Studios UK .  Sometimes it is good to completely change tack and look again with fresh eyes at a later date.


Thursday, 15 June 2017

Sailing at the Ocean's End



Sailing at the Ocean's End   acrylic on canvas board 20x20cm   ©2017LisaLeQuelenec


I couldn't resist trying another version and including the sail boat. I wonder if this one reads as a larger expanse of space compared to the one in the previous post. What do you think?


This painting is available on Etsy at Seaside studios UK.  and as a print on RedBubble.



Colour inspiration   ©2017LisaLeQuelenec

Thursday, 8 June 2017

Ocean's End



Ocean's End   acrylic on canvas 30x30cm   ©2017LisaLeQuelenec



The ocean, the sky and the light....

Thursday, 25 May 2017

Shining Sands



seasidetudios@blogspot.com
Shining Sands   acrylic on canvas board 20x20cm   ©2017LisaLeQuelenec



I am working on extending this series and have a couple more paintings 'on the go' . As I work on more than one painting at a time they all evolve together each one informing and developing each other in a constant conversation. I had thought I had finished two but when I went to the studio yesterday I could see that they weren't. A mini breakthrough on one has meant adjustments on the other two... It's all to the good.

It's funny but when I started working on these I had envisioned mark making being an important aspect of the series but it has really taken a back seat. The work has once more taken a life of it's own and is dictating it's own path which I am happy to follow and so the conversation continues.


Thursday, 18 May 2017

Across the Bay - a coastal etching



across the bay a coastal etching in indigo by Lisa Le Quelenec at seaside studios
Across the Bay   etching 6x6cm   ©2017LisaLeQuelenec




I thought I would take a break from a canvas that I am working on to print a few more etchings from some plates that I had made a while back. I inked up the plate and began to wipe thinking of the current theme of a strong shaft of light that breaks up the line of the horizon. I think with a little more work the theme will extend well into printmaking. Being able to work across media and develop an idea or technique is something I am eager to explore. This is another varied edition, each print different in the inking.


This print is available on Etsy at Seaside Studios UK.


Thursday, 11 May 2017

Preparatory sketches in mixed media trying out ideas...




Preparatory sketches for wet sands monoprint and mixed media ©2017LisaLeQuelenec blue ocean beach seascape
Preparatory sketch in mixed media for Wet Sands   15x15cm monoprint and mixed media   ©2017Lisa Le Quelenec



Two small preparatory works using graduated ink in a monoprint overlayed with colour pencil. I'm still thinking about verticals of light, contrasts, lost and found edges. If you haven't tried it soft colour pencils on top of printing textures are rather lovely to explore, you can get some very subtle colour shifts. I have been using mostly Caran d'Ache Pablo and Derwent Coloursoft pencils. I'm not sure how 'blue' to make the painting - whether I should warm it up a bit....these little prep pieces are a good way to try out different combinations.



Preparatory sketches for wet sands monoprint and mixed media ©2017LisaLeQuelenec seaside studios blue ocean sea beach sand seascape
Preparatory sketch in mixed media for Wet Sands   15x15cm monoprint and mixed media   ©2017Lisa Le Quelenec


Thursday, 4 May 2017

Calm Waters I & II




calm waters Into the Blue ocean acrylic painting minimalist semi abstract coastal style beach decor by Lisa Le Quelenec
Calm Waters I   acrylic on canvas 24x30cm   ©2017Lisa Le Quelenec




ocean studies mixed media sketches postcards wave light sky by Lisa Le Qulenec ©2017
Postcard sketches for paintings 'Calm Waters I & II  ©2017LisaLeQuelenec

You might remember these two little postcards sized sketches that I posted last year. They have been patiently sitting on my pin board waiting to be given attention. I wanted to develop the idea of looking into the light and also of verticals in a seascape without reverting to motifs of landmass or sails etc. Another theme that seems to be developing in some of my work is an aspect of minimalism. How far can I take a subject and subtract detail without losing it's essence? I seem to go from one extreme to the other capturing small details of shells and feathers and the next the opposite where I am painting just tone and colour. It keeps things interesting...








all the blues colour palette inspiration grid coastal beach collection by lisa le quelenec ©2017
Colour inspirations photographs ©2017LisaLeQuelenec



I have to admit I am really enjoying using these strong blues again, it has been a while. Intermittent warmer days have arrived and the blues are making me feel that Summer may just be around the corner - or at least a warmer Spring.




calm waters Into the Blue ocean acrylic painting minimalist semi abstract coastal style beach decor by Lisa Le Quelenec
Calm Waters II   acrylic on canvas 24x30cm   ©2017Lisa Le Quelenec


Both paintings are available as prints in various formats and cards at Redbubble - Lisa Le Quelenec - click on the link.



Thursday, 27 April 2017

Submerged in the Sky - the moon and Neruda



Submerged in the Sky I  monoprint  ©2017Lisa Le Quelenec



I have been playing with some new ideas somewhat inspired by a translation of Neruda's 'Ode to the Moon', the idea of the moon being '...submerged in the sky.' is appealing as always its reflection on the ocean is a motif that seems to be constantly evolving in my work. I have been monoprinting and the process has taken over and so it developing and metamorphosing and blending with other strands and lose threads of work. I'm not sure where I am going with it but it is interesting none the less to let the process determine the direction.



Submerged in the Sky II  monoprint   ©2017LisaLeQuelenec



These are available as reproductions on Red Bubble or Fine Art America



Thursday, 6 April 2017

100 Ammonites Project - an introduction to the online exhibition



Ammonite no.1 and no.100   etching and etching and mixed media 6x8cm   ©2016Lisa Le Quelenec


This project started on a print making course at Arts University Bournemouth tutored by Jan Bullas where I made a tiny etching plate of an ammonite. I hadn’t done any etching since my foundation course in Art & Design at Falmouth College of Arts many, many years before but had been hankering for a long time to return to experimenting with printmaking. During the course, I tried different printmaking methods including monoprints, lino cuts, collagraphs, drypoint and etching. It was etching and drypoint that really got me hooked.


From March to November 2016 I experimented printing an edition of 100 prints from this small plate. As time went by I could see more and more possibilities to explore. I did set myself a few rules and boundaries to work within;

  • All prints have been made on the same size paper 6x8inch Snowdon printing paper 140lb
  • All prints have been made using water-soluble printing ink
  • When using mixed media and chine collé I allowed myself to work outside of the confines of the plate and into the paper borders.


Prints No.1 to 50 are straight etching prints, what you see is the result of the ink being passed through the press with no further additions made. After the first 50 I started to use chine collé and from print No. 63 both chine collé and/or mixed media was used for further experiment in variation.




Ammonite no.32 with the zinc etching plate on the right   ©2016Lisa Le Quelenec


Whilst 100 variations did at first feel like a huge undertaking I was soon caught up in the excitement of the project and felt the pressure of time running out by the time that I was getting to the last 30 or so.


Ammonite   photograph   ©2016Lisa Le Quelenec


As I worked I was thinking about the parallels of fossil hunting, choosing a rock, splitting it open to reveal the fossil, not knowing for sure what would be revealed - the excitement and anticipation at finding a perfect specimen. All similarities with each stage of making a print. Experience makes the result more predictable but there will always be an element of surprise when the paper is pulled back to reveal the image. I think this is why I have fallen in love with printmaking and there will be much more in my future.

To view the exhibition click on the tab at the top or click on the link



I hope that you enjoy visiting the 'exhibition' and looking at how the image evolved.




The prints are available at seasidestudiosuk on Etsy.


Cards, notebooks and accessories of selected prints are available at Redbubble here.


A catalogue for the exhibition of all 100 prints is available from blurb here;

 100 ammonites Etching and mixed media in a variable edition