Thursday, 23 February 2017

Deeper through the forest



Deeper through the Forest   mixed media diptych  19x28cm each   ©2017Lisa Le Quelenec




Thinking about hard and soft, lost and found edges using pencil, oil pastel resist, watersoluble pencils, inks, and new to me pigments from Daniel Smith - sodalite genuine and lunar black. These two are fast becoming favourite colours. I love, love, love the soft inky denim of the sodalite.

I might leave this as it is or work into it again at a later date....it may even be the starting point for something else. The half term week has thrown me off kilter a bit. It's funny how just a few days off work can make you lose your thread. For now back to sketchbooks to find myself again I think.




Saturday, 11 February 2017

If you go down to the woods today.... monoprint and mixed media via a digital sketchbook




Birch Study III   monoprint and mixed media   ©2017LisaLeQuelenec




Sometimes I like to experiment digitally with images - it can be a quick way of trying different crops of an image without commiting to changing physically a piece of work. I like how I can change tones and colours in seconds and so can be a useful tool to progress a project.

I scanned one of the birch tree monoprint and mixed media pieces from the last post, cropped it, changed the tones and then started to adjust the colouring. I rather like the warmer version and also the darker more moody version that came last. I chose the last idea to explore first wanting to go deeper into indigo with a bigger contrast in the tonal range for more drama.




Birch Study III digital sketchbook experiment page  ©2017LisaLeQuelenec



birch sketchbook sample ©2017LisaLeQuelenec



This is a small sample that I made using a scrap from a failed print and adding washes of watercolour in varying strengths. The oilbased printing ink resists the watercolour in unusual ways giving nice textural effects - something I want to use to my advantage although difficult to control.









If you go down to the woods today...   monoprint and mixed media   ©2017LisaLeQuelenec


The above image is the result of the experiment so far. On top of the monoprint I have used drawing ink, coloured pencils and watercolour. The surface qualities and textures of the materials resisting each other are producing some lovely marks. I think my next step is to return to my sketchbook and work through some composition thumbnails maybe also to see how some of these marks can be translated into pure paint. Fun and messy times ahead I think...



Thursday, 2 February 2017

Birch tree monoprints and mixed media with a dash of freezing fog


A few days of thick freezing fog the other week has inspired a different avenue to explore. I don't ever remember seeing such thick and persistant freezing fog before. It has caused quite a bit of disruption to travel but has had an element of surprising beauty to it. The little one was fascinated by the 'crunchy' sparkles on the spider webs on the way to preschool. Simple looming silhouettes and subtle greys have inspired a very different feel to the series.



seasidestudiosblog.blogspot.com
A Progression of monoprints and monoprint mixed media pieces - Birch Study I & II ( last two images) ©2017LisaLeQuelenec


The two mixed media pieces at the bottom have been made by using ghost prints. (a second print made from the printing plate from which a print has already been taken. Due to there being only residual ink left on the printing plate the second print is much more subtle.) As you can see from these two I was lucky enough to get two ghost prints the one on the right was the first to be taken.

I often prefer the ghost prints as I like the subtlety and delicate textures and they are often interesting to work into with other media. I think my next stage may be to take scans of these two and then play digitally with them and see what happens. 'Birch Study I & II' are available as reproductions at Redbubble here.

Thursday, 26 January 2017

Find me on Folksy!


It has been a busy week! I have opened a new shop on Folksy. an online marketplace solely for artists and designers based in the UK. (If you are from outside of the UK you can still order from sellers on Folksy as most will ship internationally.) I have been busy updating my Redbubble site and have some of the notebooks from there available on Folksy. Also available are paintings and prints and I  will be adding to the collections over the coming weeks.


notebooks by lisa le quelenec at Redbubble
Notebooks available at http://lisalequelenec.redbubble.com and https://folksy.com/shops/seasidestudiosuk



Also on Redbubble and now via Folksy  are scarves. Now the weather is colder it's nice to have something to layer up and snuggle into.

They are made from microfiber polyester with a slightly transparent effect. The print is visible on both the front and reverse and measure 140cm square (55inch approx). The fabric has a lovely drape to it and the size means that it could just as easily be used as a beach/pool cover up as a scarf. The designs are repeat patterns made using motifs from my prints and paintings.




Scarves available at redbubble by lisa le quelenec
Scarves available at http://lisalequelenec.redbubble.com


Now all the excitment of getting a new store together is over I am back to working on my birch tree monoprints....

Thursday, 19 January 2017

monoprinting birch trees



Night Watchmen  monoprint 15x21cm  ©2017LisaLeQuelenec
The first monoprint of the year! I have been really enjoying markmaking with monoprint recently experimenting with a combination of applying ink and different tools to take the ink off and draw into it. Birch trees are a favourite winter subject and feel a good fit for these first pieces.

Initially I rolled a layer of ink mixed with extender for a little transparency onto the plate before wiping off some trunk shapes. Then applying ink with a stiff brush I added the trunk markings in. The rough grassy floor was fun! I added a little more ink and scratched into it with sharpened sticks, a supersharp pencil point and toothpicks.

I wanted a really sharp and bright white moon so cut a paper stencil for this. The thickness of the paper has meant a darker edge to the ink surrounding the moon but I quite like this as it adds to the contrast and I think it needed something hard amongst all the lost and found edges through the rest of the image.


This image is available as a reproduction and stationery on my Redbubble site

It is also available here on Fine Art America.


I managed a ghost print (running the plate with leftover ink again through the press with some slightly damper paper) only adding a little extra ink to the trunk markings and lower corner of grass.  Once the print had dried I worked into it with watercolour and coloured pencil introducing some colour and neutralising some of the harder darks adding more form into the trunks. I liked the way the pencil picked up the texture of the inks where it had printed thicker in some areas. I think this is an avenue well worth exploring - a big adventure for the start of the year - the results could be very exciting...



seasidestudios@hotmail.com ©2017LisaLeQuelenec
Night Watchmen   monoprint and mixed media 15x21cm ©2017LisaLeQuelenec




Night Watchmen detail   ©2017LisaLeQuelenec

















Thursday, 12 January 2017

Pine cone - a drypoint


seaside studios blog
Pine cone   drypoint etching print   ©2016Lisa Le Quelenec


I have been working on a set of new monoprints of winter birch trees and am impatiently waiting for the ink to dry so I can work into them and experiment with combining other media. My fingers are itching to get going but It will be another few days yet....

In the meantime here is a small drypoint pine cone that I finished last year and have just put for sale in my Etsy store SeasidestudiosUK.

I am so lucky to be so close to the sea and near the New Forest - it really is the best of both worlds.

Thursday, 5 January 2017

Inspiration for 2017


Happy New Year!

We are five days in and plans are afoot for a busy and experimental year. Exciting times are ahead as I have gained time to work now that my little guy has more time at pre-school and I am planning on packing a lot in. I would like to focus this year on markmaking and texture and to be a bit more experimental. Ideas that were sown during printmaking experiments are perculating and although I am unsure quite how they will unfold I think a little more mixing of media may lie in my future.

I have started a project with a series of collages that include printed, drawn and painted elements and words of wisdom and bon mots that I have collected over the years - usually scribbled in sketchbooks and the margins of books. I feel the need for a bit of positive inspiration and good humour after the extremes of 2016 which I confess left me feeling a little dazed and rather powerless.

Anyway, I started with one of my favourite quotes which always makes me smile....




©2017LisaLeQuelenec seasidestudiosblog.blogspot.com
From the Inspirational Quotes series ©2017LisaLeQuelenec




The series is available in various formats as reproduction prints and stationery from Redbubble here and I hope to add to it throughout the year.


©2017LisaLeQuelenec seasidestudiosblog.blogspot.com
From the Inspirational Quotes series ©2017LisaLeQuelenec



seasidestudiosblog.blogspot.com ©2017LisaLeQuelenec
Notebook from the Inspirational Quotes series ©2017LisaLeQuelenec


Thursday, 15 December 2016

Seasons Greetings & Happy Holidays



seasidestudiosblog.blogspot.com
Seasons Greetings   mixed media ©2016LisaLeQuelenec



December started and I'm not sure how it's managed to speed past the halfway mark already but here we are! I'm signing off now for this year and will be back in January. A very big thank you to everyone who has helped and supported me throughout the year I wish everyone who celebrates a very happy holidays and toast the New Year to come - I hope it is happy, healthy and successful for all. I look forward to seeing you in 2017.



Thursday, 1 December 2016



seasidestudiosblog.blogspot.com
A contrast in textures Bee on a teasel photograph ©2016LisaLeQuelenec




seasidestudiosblog.blogspot.com
In the dunes photograph ©2016LisaLeQuelenec




seasidestudiosblog.blogspot.com
The Black House photograph ©2016LisaLeQuelenec




seasidestudiosblog.blogspot.com
A right jumble photograph ©2016LisaLeQuelenec















-7 degrees last night! It was a bit of a shock to the system on the school run this morning. Thankfully the sun is shining though it is still cold and frost still covers the garden. I am sitting in the warm drinking hot coffee and thinking of the warmer summer days and thought I would share these photos. Hopefully they will warm you too if you are feeling the chill.

This first one is for you Rhonda I hope the migraines settle for you soon.

Thursday, 24 November 2016

Sketching and storms


seasidestudiosblog.blogspot.com
Postacard sized sketches and explorations  mixed media on paper  ©2016LisaLeQuelenec


Well the storms did arrive here - very heavy rain and high winds in the south caused quite a bit of flooding. A good time to batten down the hatches and continue with some sketchbook work whilst waiting for it to pass. It wasn't yet noon and I turned my lamp on to work. I hadn't noticed that I was gradually getting closer and closer to my work until my face was about six inches from the sketchbook! Now the air has cleared, the sun is shining and I am starting to feel the chill of Winter coming in the air.